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This magnificent volume is a collaboration of the Princeton University Art Museum, the Museum of Fine Arts, Boston, and Yale University Press.

From the Great Depression to the Vietnam War, the vast majority of the photographs printed and consumed in the United States appeared on the pages of illustrated magazines. Offering an in-depth look at the photography featured in Life magazine throughout its weekly run from 1936 to 1972, this volume examines how the magazine’s use of images fundamentally shaped the modern idea of photography in the United States. . . . Drawing on unprecedented access to 加速器 magazine’s picture and paper archives, as well as photographers’ archives, this generously illustrated volume presents previously unpublished materials, such as caption files, contact sheets, and shooting scripts, that shed new light on the collaborative process behind many now-iconic images and photo-essays.

(Full disclosure: one of the entries is by Hariman and Lucaites.)

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Photography and Its Publics brings together leading experts and emerging thinkers to consider the special role of photography in shaping how the public is addressed, seen and represented. . . . As they address key themes including the referential and imaginative qualities of photography, the transnational circulation of photographs, online publics, social change, violence, conflict and the ethics of spectatorship, the authors provide new insight into photography’s vital role in defining public life.

This fine collection ranges from Weimar Germany to the war in Syria, from national controversies to transnational networks, and from social movements to social media.

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The prices at Amazon are jacked up when compared with those at Bloomsbury.

(Full disclosure: one of the chapters is by Hariman and Lucaites.)

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With newly commissioned essays by some of the leading writers on photography today, this companion tackles some of the most pressing questions about photography theory’s direction, relevance, and purpose. (Full disclosure: one of the chapters is by Hariman and Lucaites.) Frankly, it’s a splendid volume. And pricey in the cloth edition, but it also is available at a much lower price for Kindle.

Available at Amazon and Routledge; the table of contents is available at both sites.

 

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Hot off the presses:

Hardcover, Paper, and Kindle at Amazon or Routledge, where you can see the table of contents.

(Full disclosure: the chapter on Icons is by Hariman and Lucaites.)

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The 8th William A. Kern Conference on Visual Communication

Rochester Institute of Technology

April 26-28, 2018

Design, Sound and Vision in Midcentury Media

Call for Papers

The 2018 Kern conference will be focused on the topic of “midcentury media.” The traditional focus of the Kern conference is visual communication, and this year’s aims to reveal how the visual intersects with broader dimensions of media, such as design, literature, and music. Further, we want to do some ‘looking backward’ to historicize visual culture by focusing on the midcentury period, roughly between the 1940s and the 1960s. We are looking for papers on topics of how media technologies were introduced, visualized and promoted; how design, photography, print, and other visual technologies created glamourous imagery, often of midcentury media objects themselves; how the midcentury literary and popular imagination elicited and relied upon visual displays and representations; and how Cold War anxieties, ideal lifestyles, and optimism for the future impacted midcentury media. We aspire to promote efforts to think about design and modernism within a larger frame of visual culture. We are particularly interested in under researched areas, case studies, and figures.

We encourage submissions that:
• Re-imagine and reassess midcentury media
• Explore the continuing significance of midcentury aesthetic production and material     culture, including graphic design, vinyl records, radio, television, film, popular media, and ephemera
• Interrogate identity – race, class, gender – and ideology
• Integrate approaches to communication, design, history, media studies, and visual culture

Preliminary list of invited speakers:
Greg Barnhisel, Department of English, Duquesne University
Michael Brown, Department of History, Rochester Institute of Technology
John Covach, Institute for Popular Music, University of Rochester
Keir Keightley, Faculty of Media & Information Studies, Western University, Canada
Kristin L. Matthews, Department of English, Brigham Young University
Monica Penick, School of Architecture, University of Texas at Austin
Tom Perchard, Department of Music, Goldsmiths, University of London
R. Roger Remington, College of Imaging Arts and Sciences, Rochester Institute of Technology
Penny M. Von Eschen, Department of History, Cornell University

Following in the tradition of Kern conferences, we plan a rich program of interdisciplinary scholarship and conversation.

Conference Chairs: Jonathan E. Schroeder, William A. Kern Professor of Communications, Rochester Institute of Technology and Janet Borgerson, City, University of London

Submission deadline: January 15, 2018.  Additional information is here.
Send extended abstracts (500 – 2500 words) via email to Jonathan Schroeder: jesgla@rit.edu

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Hot off the presses!  And with a full color photo-essay by Nina Berman.

 Available at Rutgers University Press and Amazon.

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Photographer David Zimmerman’s One Voice offers beautiful testimony to the dignity of the individual person amid catastrophic displacement, abandonment, and loss.

This book of portraits of displaced Tibetans also includes two short essays (full disclosure: I wrote one of them) and several poems.  You can see some of the portraits at David’s website; the book is available from Kehrer Verlag in Germany and at Amazon.   Although part of an activist project, these images are contemplative: they offer a mindfulness that is another way to resist those forces that, given enough time, would make all of us refugees.

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